Soula is an artist and designer based in Melbourne, Australia.
Soula has a great love for both design and the visual arts. Beginning her professional career as creative director of ooi.com.au, a design company she owns together with her husband Theo, Soula also had the opportunity to exhibit her fine art paintings and prints at various Melbourne galleries.
Soula explores different bodies of work through many mediums, initially beginning by sketching before progressing works in acrylics and oils, various printmaking forms and egg tempera where subject matter permits.
Through whimsical characters, building facades and/or streetscapes, Soula’s subjects reflect her cultural heritage, travel, and personal life experiences – one of which is living with chronic pain.
A sea change from Melbourne now sees Soula Co Directing Queenscliff Gallery (QG) with her husband Theo on the Bellarine Peninsula. Soula more broadly applies her fine art and design experience by curating exhibitions and managing QG’s brand and identity.
Soula is represented by QG, housed in an 1868 Wesleyan church space. Her work is available at both the QG and The Convent Daylesford.
Masonik is an Australian multi-disciplinary arts collective, who have performed, nationally and internationally since 2006.
Masonik’s immersive experience creates electronica / jazz-fusion / neo-classical and soundscapes layered with video projections. As Visual Artists, Masonik generates artworks based in graphic design, film, photography, sculpture, installation & theatre.
Masonik were regular contributors for the ABC Radio National show, ‘Sound Quality’ & were invited to record in the ABC studios in Sydney. Masonik has also created long form exhibitions and performances titled ‘Altar’d Lament’. These have been presented across Australia & Athens.
‘Altar’d Lament’ is a multi-disciplinary art installation and performance project. Though the critical locus of the project is the destruction of the cosmopolitan city of Smyrna in 1922, ‘Altar’d Lament’ is a pantheon for Neo-rebetes.
Masonik embarked on a pilgrimage to Piraeus and Athens to confront ‘rebetiko’, a cultural form that can be simultaneously fragile and resilient, both comforting and threatening. Refuge for the exiled, the tradition altered creating a narrative to an open-ended underworld. So was created this Unorthodox Amanes Altar.
Joy is a multi-disciplinary artist with works in puppetry, painting, ceramics, printmaking, digital imagery, and traditional icon painting. Her work explores the patterns, rhythms, and marks of nature in painted and printed forms and more recently from coffee cup ‘reading’ pattern imagery.
In her painted works, she abstracts the natural forms to a series of graphic units of strokes and lines. With these units she uses a technically simple form of printmaking and painting to build complex layers of colour, depth, and movement. Moving away from representing the natural world in natural pictorial form, she deconstructs imagery using repetition of marks to create moving surfaces of colour which allude to energy fields, wave systems and other unseen patterns within the natural world.
Joy (Economos) McDonald studied Fine Arts at Sydney University (1970s) and graduated at the Australian National University in Visual Arts in 1997 after teaching for several years in NSW. Now residing in Melbourne Joy has continued her art career in abstract imagery both digital and on canvas.
Her work is in several collections both overseas and in Australia, in the collection of the Canberra Museum and Gallery and in corporate collections. She spent time in Canberra on the Board of ANCA (Australian National Capital Artists) was a member of Craft ACT where she often exhibited as an APM, (Aust. Professional Member) her last solo there being in 2013.
She was a finalist in the Fleurieu Biennale SA in 2008, and again in three categories with two high commendations in 2011. She received a Rosalie Gascoigne Award from the Capital Arts Patrons Organization (CAPO) Canberra and a recipient of two grants from artsACT 2011 and 2012 for a Centenary puppet stage production and children’s book in 2013 titled, The Very Sad Fishlady, which was performed at THE STREET THEATRE. This story, and its subsequent production, was inspired by her Greek heritage with connections to Kastellorizo, in the Dodecanese Islands of Greece.
In her early artistic career, Joy began as a puppeteer with Peter Scriven’s Marionette Theatre, The Tintookies which toured Australia’s country towns. Here she worked with Michael Salmon, the well-known Melbourne children’s author. Joy has had over sixty exhibitions (ceramic, painting, and prints) and several solo exhibitions in Canberra and Sydney. She lives with her Husband James McDonald, PhD, who is an academic and a historian, specialising in Classical Greek and Canberra history.
Constantine Nicholas (HatziYiannakis) was born in Perth, Western Australia and currently lives in Sydney. He is a 3rd generation Greek Australian. His ancestry is from the isle of Kastellorizo where his grandparents and many others migrated in the early 1900s escaping foreign occupations, and seeking a new life in Australia. Most landed in Fremantle, and other parts of Australia and stayed. Nicholas has always questioned his identity which has been an ongoing theme in his work. He creates rich and layered works, installations and digital projects. His work offers fragments, of text and imagery, citing colonial, aboriginal and commercial references which the artist uses to question his Australian identity. “An ongoing theme in my work is to use historical journals (other’s truth), maps and illustrations to present a ‘point of view’.
His new line of work since 2020, harkens back to very early works, are more abstract and less referencial in nature. ART LINES explores space, digital photography and drawing to create rich coloured abstract line-scapes. Visit lynkfire.com/Artcons9
Nicholas has participated in more than 70 exhibitions in ANZ, APAC and USA. Represented in Public and Private Collections in AUS, NZ, APAC, US, EMEA.
Born in Paphos, Cyprus. Living in Melbourne Australia, Barbara’s art practice is an emotive, intellectual, and philosophical investigation of life and place in the modern world. Exploring her inner consciousness and how it interacts with her external surroundings. There is a constant push-pull effect of anarchy and control. The aim is to find balance within the chaos of these two spaces and discover what results. An ongoing theme within the artist’s practice is the study of the human condition. Examining our value system as a society and on a personal level. The use of colour is a critical part of her dialogue analysis. Engaging in an unspoken language through a spectrum of colours, form, scale, materials, and physical space.
Barbara has exhibited in Australia, Hong Kong, London. Her artworks are held in both private and public collections throughout Australia, Asia, New Zealand, Europe, and North America.
Christina Heristanidis is an award winning filmmaker. Her films have screened on national television, at film festivals and in art galleries, including the NGV. She has a degree in Fashion Design from RMIT University (1984) as well as a degree in Media Arts (1996), also from RMIT University. She followed these up with a Graduate Diploma in Film and Television from the Victorian College of the Arts (Melbourne University). She has taught in both the School of Fashion & Textiles and the School of Media & Communication at RMIT University. In 2000 Christina wrote, directed and co-produced her film Dear Bert which won The United Nations Association of Australia Media Peace Award for promotion of Multicultural issues. She has been on the selection panel for short documentaries at The Melbourne International Film Festival from 2003 till 2018 inclusive.
Graduate Diploma (Film and Television) Victorian College of the Arts. At The University of Melbourne (completed 1997)
Bachelor of Arts (Media) RMIT University (completed 1996)
Bachelor of Arts (Fashion) RMIT University (completed 1984)
Past projects, exhibitions and awards
2020: We The Makers Create. National Wool Museum Geelong Public Gallery
2019: Liminal State – a digitally projected exhibition of lost, forgotten and abandoned clothing as part of VAMFF
2012: L’Oréal Melbourne Fashion Festival, cultural program event. Hand Eye Collective, hosts a series of discussion around current issues and ideas of major importance in fashion design thinking today
2012-Present: Founding member of The Hand Eye Collective
1999-2018: On the selection panel for short documentary film for Melbourne International film Festival (one year off to have a child)
2001: Winner of The United Nations Association of Australia Media Peace Award, for Promotion of Multicultural Issues
1998: Winner of Dox Direct- Cinemedia and SBS Independent Accord Competition
1998: Judge for The Melbourne International Film Festival
